Can somethingbe bothpopularandgood?TheNew York Times Magazineconsidersthe stateof cocktail enlightenmentandthe countless waysthat Netflix, Spotify,and legionsof others disintegrateand quantify popularity.Arewe improvedoffin the universewheretherecan neverbe an additionalThriller?Andwhatdoes recognition unequivocally meantwhenHarlem Shake,the soundtrackto the viral video disturbthat’s substantially most appropriate forgotten,is dynamictobethemostpopular straininthe country?Says bard Adam Sternbergh,“a landscapethat once featured the couple of destined monolithsof recognitionis right away dottedwith the crowdof obtuse monuments,too mostto keep laneof,let alone celebrate.”